THEATRE REVIEW: Pride and Prejudice – The Crucible Theatre, Sheffield  

Presenting a classic like Jane Austen’s Pride and Prejudice for the theatre holds certain risks. Patrons who are seasoned lovers of the English classics have certain expectations, and would be disappointed if the stage production differs greatly to the novel. Fortunately Tamara Harvey’s production rose to the challenge, bringing the story to life with its lively and humorous presentation.

The stage was austere and multi-functional, and the transition from the humble home of the Bennet family to the stately mansion of Pemberley was cleverly executed without detracting from the story.

Isabella Laughland plays the unambiguously appealing Lizzie Bennet, who forms a prejudice against the very proud Mr. Darcy, played by James Northcote. They attempt to play the characters with the reserve of 19th century society. Lizzie takes no interest in Mr. Darcy, despite his prestigious background, tremendous wealth and obvious good looks. He initially rejects Lizzie because she is part of the lower class. Both actors portrayed their characters with convincing professionalism.

Michele Austin played the part of the adorable, but also abominable and very animated Mrs Bennet, whose sole purpose in life is to secure suitably wealthy husbands for her five daughters. Her portrayal of her was exceptional, her animated and loud performance was well received by the audience, who responded to her with well-earned laughter.

Howard Ward plays the patriarch of the Bennet household. The owner of Longbourn, at least until his death, as he has never been blessed with a son. Ward captures the character very well; driven to obvious exasperation by his wife, he assumes a detached attitude only punctuated by extreme bursts of sarcastic humour, remaining an ironic passive spectator amongst the Bennet family.

It was hard to grasp the reason behind the inclusion of Mr. Darcy wearing 19th century attire with a pair of denim jeans, and Lizzie coming in from the rain wearing an anorak. It appeared to be a token gesture of a take on modern day England, and quite unnecessary. It would have added to the evening if the somewhat bland costumes were more elaborate and in keeping with the times.

For anyone not familiar with Jane Austen’s brilliantly written classic, they must have left the theatre with a better understanding of her genius, thanks to the production team’s well crafted presentation.

IMAGE: Johan Persson

Review by Susan Rigby