Library
Ink Pellet’s book review section covers an eclectic selection of new fiction, teachers’ guides, audio books and classics.
Many of our reviews are written by teachers, so we have an expert eye on how texts will work in the classroom. We hope to create a useful archive of reviews so that you can use this as a reference. If you would like to join our panel of reviewers, please join in or email the editor john@inkpellet.co.uk. We hope the section inspires you to share new fiction with your pupils or to revisit old favourites yourself
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Barry Drummond, 26, is appearing in English National Ballet’s Nutcracker at the London Coliseum over Christmas. In 2008 he won the Lyn Seymour award for the most expressive dancer and in 2012 he was nominated for the Emerging Dancer award. How did you get into ballet? I’m from Callander in Scotland. I started ballet there […]
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By Jamie Read, Co-Director of READ College here are so many myths surrounding healthy voice use for today’s Musical Theatre singers that it can be difficult to know what to believe. The constant worry about damaging your voice, and the stigma often unfairly placed on singers who sustain a vocal injury, can lead to […]
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Graham Hooper compares two contrasting photography exhibitions currently showing in London
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This Christmas, Sally Cookson will be adapting The Lion, the Witch and the Wardrobe at the West Yorkshire Playhouse. Mark Glover spoke to the innovative director to discuss nostalgia, story-telling and the pressures of re-working such a classic book.
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In this, the first of a regular feature examining issues facing the arts, Susan Elkin posses the question why so few men still take up ballet
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In 2013, Hull was announced as the UK’s next city of culture. As the year begins its final season of programmes and events Mark Glover explores the work of Hull Truck Theatre and looks back on some of the year’s theatrical highlights.
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Chinonyerem Odimba, 43, is an award-winning playwright best known for Amongst the Reds (Clean Break, Edinburgh Fringe and Yard Theatre London. 2016) A Blues for Nia (Eclipse Theatre/BBC), The Birdwoman of Lewisham (Arcola 2015) and Joanne (Clean Break. Soho Theatre, 2015). Her most recent success is Twist, a radical reimagining of Oliver Twist for the 21st century, commissioned by Theatre Centre. Susan Elkin talks to her.
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Frantic Assembly’s Ignition training programme is aimed at young men, some of whom have never set foot inside a theatre. Mark Glover finds out more about this pioneering scheme and how it’s challenging the male stereotype.
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Susan Elkin meets up with a colourful Rakugo story teller to find out more about this traditional Japanese art form.
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A new online resource is being developed utilising the digital tools now available to enhance the teaching and training of physical theatre performers.











