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A dozen not-to-be missed exhibitions around the country this coming year selected by Graham Hooper. As is traditional now for me in Ink Pellet, wishing you new year’s greetings for 2022, it gives me great pleasure to bring you the best of the year ahead in art. It’s another bumper year, back to the good […]
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Susan Elkin makes a case that cultural diversity should not be at the expense of inclusivity. I live in the London Borough of Lewisham. It is, I learned recently, London’s most diverse borough. And that is one of the many things I love about it. When, five years ago, I moved back to my native borough […]
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by Elif Shafak Published by Viking/Penguin We’re in Cyprus – or at least thinking back to how it has been there – from the point of view of a teenager in a London school in the late 2010s. Her parents had married across the Greek/Turkish divide which led to their arrival in England. Ada’s mother […]
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Usually listed rather uneasily as a comedy, Measure for Measure is actually a pretty serious play although it descends close to farce in Acts 4 and 5, which is why it’s often dubbed a “problem play”. Blanche McIntyre’s 1970s-set version plays it for laughs. Her cast of eight (there’s some very accomplished doubling) squeeze every […]
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Isabel Adomakoh Young, 28, describes herself as a queer actor, and writer of English and Ghanaian origins with a determination for social change. She played Juliet (Black British Theatre Awards lead actress winner) in Open Air Theatre Regent Park’s Romeo and Juliet in summer 2021. Susan Elkin spoke to her. How did you get into […]
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In this month’s feature on drama schools, Susan Elkin takes a look at the opportunities available at the Manchester School of Theatre.
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Offering another route into the industry, apprenticeships are flourishing and Susan Elkin examined the opportunities offered by the Royal Opera House.
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Fourth Monkey Actor Training Company is offering a course in Bristol. Susan Elkin talked to founder and artistic director, Steve Green about this new development.
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So just how do you support an industry which is on its knees – economically, theatrically and emotionally – after a pandemic which has almost felled it? Step forward New Diorama Theatre, its artistic and executive director David Byrne, and – most importantly – British Land, a real estate investment company with British holdings worth £10.3 billion. Susan Elkin investigates.
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Making use of alternative mediums, Jean Dubuffet’s career spanned many genres and the latest retrospective at the Barbican caught Graham Hooper’s eye.