this month's
Ink Pellet contains
THE BIG INTERVIEW: Unlocking Potential
Darren Raymond, artistic director of Intermission Theatre in Knightsbridge confounds every stereotype. Any preconceived idea of what a theatre director “should” be evaporates as soon as you meet him. Susan Elkin did. For a start Darren, 37, is employed by the Church of England and Intermission Theatre is based at part-converted St Saviour’s Church which […]
Outreach Collaboration
DNA – a collaboration between Queen’s Theatre, Hornchurch and Royal Central School of Speech and Drama. Susan Elkin discovers more. It is very unusual for a regional theatre to collaborate with a drama school as Queen’s Theatre, Hornchurch is doing with Royal Central School of Speech and Drama. The joint project is a production of […]
Mind the gap
An initiative encouraging young people into non-performance roles by bridging the gap between schools and theatres was launched in the summer. Mark Glover speaks to Cassie Chadderton, Head of UK Theatre, a membership body spearheading the campaign, to find out if the project can really address this long-standing issue. In 2017, the theatre and performing […]
Free cinema for all
“The Into Film Festival presented wonderful opportunities for our students, most of whom rarely visit the cinema. It was more than just a cinema visit, it was an entire package. I would recommend the Festival to all teachers.” Leila Hinks, St Andrews Primary School Free cinema trips and resources to engage young minds through the […]
Voice Training
Susan Elkin chats to James Grimsey, vocal coach and Creative Director at Arts1 School of Performance, about training a voice and dispelling a few myths. The human voice is a very subtle and complex thing. And James Grimsey is utterly fascinated by it. “The more you learn about the voice and how it works the […]
The Sign of Four
Susan Elkin interviews script writer Nick Lane about his adaptation of The Sign of Four for Blackeyed Theatre’s latest nationwide tour. “There are two initial challenges when you adapt a well known Victorian novel for the stage” says Nick Lane, script writer for Blackeyed Theatre’s The Sign of Four which tours nationwide from this autumn. […]
The Yorkshire Way
Mark Glover speaks to Rebecca Winwood, Special Projects Producer at Huddersfield’s Lawrence Batley Theatre and discovers a venue that cares deeply for its community, working closely with other initiatives to bring art to its surrounding areas. I’ve been living in the North of England for six months now having swapped the sweeping fields of the […]
Theatre Rights Worldwide
Susan Elkin went to the UK offices of Theatre Rights Worldwide five floors above Regent Street to talk to TRW vice president, Drew Baker, about licensing and performing musicals. If you have written a musical – perhaps for your own students – then maybe you’d like it to have an afterlife in other schools. If […]
Drama Matters: Does It?
Drama teacher and member of the National Drama executive committee Zeena Rasheed puts forward a strong case for Drama in schools and urges you to act in its defence. So why should we keep championing Drama, as an entitlement, more joyfully, and more powerfully than ever? Why should more arts lovers, liberals, politicians, educationalists, academics, […]
EXHIBITION: Friendship
Two separate exhibitions this autumn have similar themes. Graham Hooper visited both and gives us his insight into the friendship and relationships, as presented through art. One academic year ends, another begins. Older colleagues retire and new staff fill their roles. Students leave school for college and leave college for work or another course. This […]
Library
Ink Pellet’s book review section covers an eclectic selection of new fiction, teachers’ guides, audio books and classics.
Many of our reviews are written by teachers, so we have an expert eye on how texts will work in the classroom. We hope to create a useful archive of reviews so that you can use this as a reference. If you would like to join our panel of reviewers, please join in or email the editor Lesley.finlay@inkwellpress.co.uk We hope the section inspires you to share new fiction with your pupils or to revisit old favourites yourself
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Susan Elkin meets up with Ebony Feare, 36, an actress currently playing Tortoise in Pied Piper’s touring production of Hare and Tortoise
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Barry Drummond, 26, is appearing in English National Ballet’s Nutcracker at the London Coliseum over Christmas. In 2008 he won the Lyn Seymour award for the most expressive dancer and in 2012 he was nominated for the Emerging Dancer award. How did you get into ballet? I’m from Callander in Scotland. I started ballet there […]
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By Jamie Read, Co-Director of READ College here are so many myths surrounding healthy voice use for today’s Musical Theatre singers that it can be difficult to know what to believe. The constant worry about damaging your voice, and the stigma often unfairly placed on singers who sustain a vocal injury, can lead to […]
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Graham Hooper compares two contrasting photography exhibitions currently showing in London
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This Christmas, Sally Cookson will be adapting The Lion, the Witch and the Wardrobe at the West Yorkshire Playhouse. Mark Glover spoke to the innovative director to discuss nostalgia, story-telling and the pressures of re-working such a classic book.
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In this, the first of a regular feature examining issues facing the arts, Susan Elkin posses the question why so few men still take up ballet
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In 2013, Hull was announced as the UK’s next city of culture. As the year begins its final season of programmes and events Mark Glover explores the work of Hull Truck Theatre and looks back on some of the year’s theatrical highlights.
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Chinonyerem Odimba, 43, is an award-winning playwright best known for Amongst the Reds (Clean Break, Edinburgh Fringe and Yard Theatre London. 2016) A Blues for Nia (Eclipse Theatre/BBC), The Birdwoman of Lewisham (Arcola 2015) and Joanne (Clean Break. Soho Theatre, 2015). Her most recent success is Twist, a radical reimagining of Oliver Twist for the 21st century, commissioned by Theatre Centre. Susan Elkin talks to her.
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Frantic Assembly’s Ignition training programme is aimed at young men, some of whom have never set foot inside a theatre. Mark Glover finds out more about this pioneering scheme and how it’s challenging the male stereotype.
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Susan Elkin meets up with a colourful Rakugo story teller to find out more about this traditional Japanese art form.