this month's
Ink Pellet contains
Punching Hard
Artistic director of Nottingham Playhouse, Adam Penford, 45, talks to Susan Elkin especially about Punch which opened at Apollo Theatre London this month and simultaneously on Broadway. “Yes” chuckles Adam, who is talking to me via Zoom from New York, where he is in rehearsals. “It is very unusual for a new play to open […]
First Encounters: King Lear
Once more taking Shakespeare to schools and communities around the country, Susan Elkin caught up with the RSC in Birmingham for an inspiring afternoon. “But nothing will come of nothing” called an irrepressible, totally engaged girl of about nine in response to Oliver Senton as a fine King Lear gasping his incredulous “Nothing?” in the […]
Prize Writer
Chris Power, 50, is a novelist, reviewer, teacher and judge for the 2025 Booker Prize. Susan Elkin spoke to him. Chris Power is on holiday in Sweden when I catch up with him. “Yes,” he says cheerfully. “This is the lakeside house that my Swedish wife grew up in and we’re here on holiday with […]
ROYAL COURT YOUNG PLAYWRIGHTS AWARD
The 2026 Young Playwrights Award is now officially nation-wide! Do you have an idea or a story to tell? Can you imagine it performed live, by actors on a stage? It’s time to start your playwriting journey. The Young Playwrights Award is a free, open-access competition for any teenager in the UK interested in writing a play, […]
VOICED: THE FESTIVAL FOR ENDANGERED LANGUAGES
With half of the world’s languages threatened to fall silent by the end of the century comes the first ever UK festival Voiced: The Festival for Endangered Languages, celebrating the power of language and art by highlighting endangered global and local languages through a creative festival. Throughout October, the Barbican, London will be filled with an explosion of voices and […]
NATIONAL THEATRE EXPANDS SCHOOLS PROGRAMME
The National Theatre has announced its autumn programme for schools across the UK, deepening its work with young people to support its continued ambition to reach every child in the UK before they leave school. Over 90% of state secondary schools are already signed up to access the National Theatre Collection to stream world-leading theatre directly […]
The National Plan for Drama and Theatre Education
Following feedback from drama teachers, educators and other interested parties, The National Plan for Drama and Theatre Education document is now completed and you can find a direct link to the pdf here. This is a mammoth achievement and a feat of collaboration. It has been widely circulated including to the DfE Team, whose members are also […]
BROADWAY LICENSING GLOBAL OFFERS UK TEACHERS FREE PERUSALS FOR HARRY POTTER AND THE CURSED CHILD SECONDARY SCHOOL EDITION
The Critically Acclaimed Show Has Now Been Adapted for UK Secondary Schools (London)—Broadway Licensing Global London, Sonia Friedman Productions, Colin Callender and Harry Potter Theatrical Productions are thrilled to announce that secondary school teachers can now sign up for a free perusal script of Harry Potter and the Cursed Child Secondary School Edition. BLG London […]
A Final Haunt
After 33 extraordinary years, Susan Hill’s The Woman in Black will haunt the stage of the Fortune Theatre for the final time, as the production ends in the West End on Saturday 4th March 2023. PW Productions announce that after 33 extraordinary years in London’s West End, the theatrical sensation that is Susan Hill’s THE […]
Reaching for the Moon
Susan Elkin paid a visit to Half Moon theatre in London’s East End to chat with CEO Chris Elwell about their extensive education outreach and innovative theatre programmes. Half Moon Theatre sits in the heart of Limehouse in the London Borough of Tower Hamlets, spitting distance from the DLR and mainline station. Formerly a pretty […]
Sidebar
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In 2013, Hull was announced as the UK’s next city of culture. As the year begins its final season of programmes and events Mark Glover explores the work of Hull Truck Theatre and looks back on some of the year’s theatrical highlights.
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Chinonyerem Odimba, 43, is an award-winning playwright best known for Amongst the Reds (Clean Break, Edinburgh Fringe and Yard Theatre London. 2016) A Blues for Nia (Eclipse Theatre/BBC), The Birdwoman of Lewisham (Arcola 2015) and Joanne (Clean Break. Soho Theatre, 2015). Her most recent success is Twist, a radical reimagining of Oliver Twist for the 21st century, commissioned by Theatre Centre. Susan Elkin talks to her.
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Frantic Assembly’s Ignition training programme is aimed at young men, some of whom have never set foot inside a theatre. Mark Glover finds out more about this pioneering scheme and how it’s challenging the male stereotype.
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Susan Elkin meets up with a colourful Rakugo story teller to find out more about this traditional Japanese art form.
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A new online resource is being developed utilising the digital tools now available to enhance the teaching and training of physical theatre performers.
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Crime fiction author Anne Cassidy, who writes for young adults, hit the headlines in 2004 with her controversial novel Looking for JJ – one of over fifty titles she has to her credit. Susan Elkin meets her.
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Katy Lipson, 32, has produced over 50 shows, mostly musical theatre. Few school and college students really understand what producing is and what a crucial part of the theatre industry it is. They could learn a lot from the hardworking Katy, as Susan Elkin discovers.
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By Stanley Wells Published by Oxford University Press Subtitled “from Burbage to Branagh” this book – which manages to be both scholarly and entertaining – introduces us to the finest exponents of Shakespeare across four centuries. I agree with Roy Hattersley that the ever-prolific Stanley Wells is certainly “our greatest authority on Shakespeare’s life and […]
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It’s a pity therefore that this production of a fine musical doesn’t always feel as sparky as it should. One senses that – the dancers in the wedding scene for instance – are still mentally reading their choreography notes. And far too many performers – Tracy-Ann Oberman as Golde for instance – have been cast […]
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The Royal Exchange Theatre is an iconic landmark in the heart of Manchester with a strong pedigree of plays and a close link to its schools and communities. Mark Glover spoke to the organisation’s new Director of Learning and Engagement Inga Hirst about reaching out to those beyond the bright lights of the city.